How Did POP! Originate?
Find something only you can say. -
James Dickey
The importance of being able to capture
people’s attention in sixty seconds or less became crystal clear to
me the first year I emceed the Maui Writers Conference in 1993. We
were proud to give budding authors and screenwriters from around the
world a chance to meet face-to-face with decision-makers from
New York publishers and Hollywood agencies. This was an
unprecedented opportunity to pitch your book or screenplay to
respected agents and editors who had the power to give projects a
green light.
I’ll always remember one woman who
emerged from her meeting with tears in her eyes. I asked, “What
happened?”
“I walked in and gave the editor my
manuscript,” she said. “He took one look at it and told me, ‘I
don’t have time to read all that. Just tell me in a couple sentences
what your book is about and why people will want to read it’.”
“My mind went blank,” she said. “I
thought it was his job to figure out how to sell it. I just
tried to write the best novel I could.”
During the rest of that conference, I
discovered she wasn’t the only who thought the quality of her work
would speak for itself. Other people also seemed to believe that if
they had succeeded in producing a quality project, it would elicit
interest. Wrong.
There are hundreds of thousands of
well-written books and scripts. The point was, how was hers
different? Why would it break out from everything else that was
already published or produced? And perhaps most importantly, what
was a succinct sales sound-bite that would motivate busy people to
try it and buy it or go see it?
My heart went out to those discouraged
individuals whose dreams had been shattered, not because their work
wasn’t worthy, but because they hadn’t known they needed to (or
hadn’t known how to) succinctly prove why it was worthy.
I started helping people prepare sixty
second “Tell ‘n Sell” pitches that articulated the commercial
viability of their projects in a way decision makers “got” it and
“wanted” it. News spread about my clients’ success, and other
individuals and organizations started hiring me to strategize how
they and their projects could break out instead of blend in.
I
developed my own intellectual capital called POP! outlining how to
make yourself, your creation, company, cause, and campaign POP! out
of the pack. Since then, I’ve had an opportunity to work with
hundreds of clients to help them develop innovative titles,
taglines, intros, and approaches that have helped them and their
offerings become one-of-a-kind instead of one-of-many.
What are the Benefits of POP?
Let’s give ‘em something to talk about.
- from Bonnie Raitt’s song “Something To Talk About”
Whether you are introducing yourself at
a networking function, talking to prospective clients at a trade
show, pitching your novel or screenplay, writing articles or Web
copy, creating an ad or commercial, naming a business or product,
producing a sound-bite slogan for your business, interviewing for a
job, or competing for a contract, your success depends on whether
you quickly capture your target audience’s interest. Are they
sufficiently intrigued in the first sixty seconds to want to know
more? Did you succeed in getting your project’s foot in their mental
door?
People today are so busy, so bombarded
with information, that’s all the time we have. If we don’t convince
them in our “One Minute Window of Opportunity” that we’re worth
their valuable time, money, and attention, they’ll switch their
focus to something else.
The
premise of POP! is that the best way to attract instant interest is
to make our communication Purposeful, Original, and Pithy.
This is so rarely done, it makes
what we’re saying and selling incredibly appealing.
My goal was to remove the mystery from
this “art and science of intrigue.” I wanted to develop a
step-by-step system anyone could use to win buy-in for
themselves, their ideas, inventions, projects and products,
business, and brand.
POP! is accomplishing its
mission. Thousands of people around the world have used these
techniques to come up with innovative approaches that helped them
and their offerings get noticed, heard, and bought. I've had the
opportunity to share POP! principles with audiences from St. Moritz
to San Francisco, Toronto to Tennessee -- and with clients who have
identified the prefect brand, landed lucrative book deals, launched
rewarding careers, developed trademarked terms that built a a
profitable business empire, and attracted national media attention
as a result of our work together.
It's been enormously gratifying to hear
from people from all walks of life who have catapulted their success
as a result of using The POP! Process! That was my intention. As
four-time Pulitzer Prize nominee Fawn Germer says, “You don’t have
to be a creative genius to use these techniques; however,
using these techniques can make you a creative genius.”
Sam Horn, Author/Speaker/Consultant ~ California Office
P.O. Box
6810 Los Osos, CA 93412-6810
Phone (805) 528-4351 Fax (805) 528-2581
Office E-mail
info@samhorn.com
E-mail Sam Horn at
sam@samhorn.com